It is a love that is difficult to recognize: it emerges first as a game of attraction or rejection-or sometimes evan an initial head-on confrontation. It is that this love is an impossible love it is a prohibited love, which challenges all the expectations and mandates established generation after generation. Because it is not only a matter of falling in love with the wrong person. In the amorous duel of the telenovela, in the tremendous struggles narrated in the stories, the existence of other is always present. And much of that success can be attributed to its protagonist, Verónica Castro, and her character, the beautiful and brave Mariana.įollowing the example of Julieta (of Romeo and Juliet) and of Melibea (from the Celestina, originally known as the tragicomedy of Calixto and Melibea), telenovela heroines are very active risk-takers who surrender body and soul to the tasks at hand. And it wasn’t just my little girl whom the show attracted: Los ricos también lloran (perhaps one of the best telenovela titles to date) introduced the genre with great success to several European countries, as well as to Russia and China. “Aprendí a llorar”-I learned to cry-was the song’s constant refrain. I realized that the melodrama and its well-known manipulation of emotions had got a hold of my toddler. It was the opening theme from the 1979 telenovela Los ricos también lloran (The Rich Also Cry), starring Verónica Castro. I first became interested in telenovelas as an academic subject when, more than thirty years ago, I heard my then two-year-old daughter sing a song for the first time.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |